31 Days of Horror: Horror of Dracula (1958)

Inspired by Bram Stoker's classic novel and directed by Hammer Horror alumni Terence Fisher, Horror of Dracula stars Christopher Lee as the undead Count Dracula who travels from his castle in Transylvania to England, hoping to seek revenge on a mortal man who tried to vanquish him. In the process, the Count runs into his arch-nemesis, Dr. Van Helsing, who will do whatever he can to end Dracula's reign of terror.

Horror of Dracula, with its predecessor Cure of Frankenstein, helped turn Hammer Films into an icon of horror cinema. The movie is a perfect mixture of gothic horror, wonderful performances, fantastic sets and special effects, and a good dash of suaveness and sexuality.

Like the novel and the 1931 Universal movie, Horror of Dracula possesses an eerie atmosphere that melds perfectly with the dread surrounding Count Dracula and the situations of the story. Its a movie that focuses more on mood and situation instead of on-the-nose scares. It wants to draw you into the story, making you feel like you have a connection with the characters, a connection that causes you to worry when a character is put into danger and hope they will succeed, and the films pulls it off.

The acting is also superb. Christopher Lee, who would go on to play Dracula several more times in future Hammer Horror films, is easily the best actor to dawn the cape and fangs since Bela Lugosi in the 1930's. He easily captures the spookiness and terror that is inherent to the character, but mixes that with a suave demeanor that draws you in, like another one of his victims. Peter Cushing is just as amazing. You actually believe he's dedicated his life to studying the undead and will do whatever he can to destroy Dracula. He also seems to have a will of iron, not even batting an eye when a vampire comes at him and not hesitating in the slightest to fight Dracula in the climax, knowing the Count is most likely stronger than him. While Lee and Cushing are easily the stand-outs in the cast, the other actors do a fantastic job as well.

For a film made in the late 50's, the majority of Horror of Dracula's effects and sets manage to hold up fairly well. While there are times when you can see through the illusion, like Dracula turning to ash for example, most of the sets are beautiful to look at and the effects are great and get the job done.

Horror of Dracula deserves its place among the classics, such as Frankenstein or The Wolf Man. Its a well-made, beautifully shot film that has an eerie atmosphere and wonderful acting. If you like vampire movies, atmospheric horror films, and great acting, you will love Horror of Dracula.

31 Days of Horror: Bride of Frankenstein (1935)

The sequel to the 1931 horror classic Frankenstein, Bride of Frankenstein is considered by many to be just as good, if not better than its predecessor.

The film begins immediately after the events of the first movie. After managing to survive the collapse of the burning windmill, a chastened Henry Frankenstein abandons his plans to create life. Sadly, he is tempted and ultimately coerced by the Monster, encouraged by Frankenstein's old mentor Dr. Pretorius, into constructing  a mate for him.

Bride of Frankenstein is a perfect example of how to make a sequel that not only lives up to the original, but surpasses it. Like its predecessor, Bride of Frankenstein's cinematography is utterly beautiful and captivating. Its obvious how much time and effort the director and crew put into this film, wanting it to be the best movie the could make, and I believe they succeeded at that goal.

The music is expertly done as well. Like its predecessor's score, Bride of Frankenstein's music is atmospheric and haunting, perfectly matching the film and enhancing each and every scene. Its so good and captivating that I have a good feeling that I keep catching myself humming the tunes to myself as I write this review.

Finally, every actor and actress in the film gives a wonderful performance. Boris Karloff once again portray's the Monster, using his facial expressions and physicality to give the character a unique personality that makes us relate with the creature and understand his plight. Ernst Thesiger also captures the eerie and diabolical nature of Dr. Pretorius perfectly and Elsa Lanchester is as both Mary Shelley in the film's prologue scene and the titular Bride. While these three were easily the stand-out performers, the rest of the cast is great and each performance helps make the film better.

Bride of Frankenstein is the rare sequel that takes what was great about the original film and just makes it better. Its beautifully shot, hauntingly scored, and jam-packed with excellent performances. Bride of Frankenstein is a classic movie that everyone needs to see at least once in their life. I guarantee you won't be disappointed.

31 Days of Horror: Night of the Demons (2009)

Night of the Demons is a remake of the 1988 film of the same name. In the film, Maddie (Monica Keena) and a few friends attend a party being held by a girl named Angela (Shannon Elizabeth) at the Broussard Mansion, a New Orleans house with a dark history. After the cops break up the party and most of the guests leave, Angela and Maddie's ex-boyfriend Colin (Edward Furlong) venture into the basement and make a grisly discover that accidentally releases a horde of ancient demons who terrorize the remaining party goers who are now trapped inside the mansion. Will they survive, or will they succumb to the diabolical demons?

Generally, there is a rather negative stigma attached to horror movie remakes. While some of them can be great, like John Carpenter's The Thing or David Cronenberg's The Fly, the majority of them seem to be nothing but garbage meant to cash in on a recognizable name and the nostalgia of a generation. While Night of the Demons isn't a great movie by any stretch of the imagination, I'm not sure I can throw it into the same trash can with the likes of the Friday the 13th and A Nightmare on Elm Street remakes.

While the film's story has a number of flaws and most of the characters are rather bland and forgettable, Night of the Demons makes up for its faults with some really well done make-up and special effects, some decent performances, and a sense of fun that keeps the audience from walking out.

Most of the film's special effects seem to be practically done, which is something I always like to see, and happen to be rather effective for the most part. The make-up for most of the demons, with Angela's and another party-goer named Suzanne's in particular, is equally great and looks pretty damn cool.

While some of the acting in the film is rather mediocre and bad, Monica Keena and Shannon Elizabeth do a decent job with the script they have been given. It's actually rather surprising how good Elizabeth is at playing a demon and Keena presents Maddie in a way that makes her rather likable.

Finally, but most importantly, Night of the Demons knows what kind of film it is and decides to just have a fun time being loud, gory, and goofy. The film is presented with its tongue firmly planted in its cheek and embraces the underlying silliness of the situation. This is a movie where a girl is possessed by a demon that was banished from hell and has the ability to shoot tentacles from her breasts. I think that one effect perfectly captures the tone this film is going for, and if you can accept that tone, you will have a good time with it.

31 Days of Horror: Piranha (1978)

Directed by Joe Dante, Piranha follows Insurance investigator Maggie McKeown (Heather Menzies) who is dispatched to find two teenagers who have gone missing near Lost River Lake. After hiring the surly drunkard Paul Grogan (Bradford Dillman) to serve as her guide and help her search the area, they find a seemingly abandoned military facility. The two end up draining one of the facility's pools and accidentally releasing a particularly vicious swarm of piranha into the local waterways. Maggie and Paul race to warn the locals, but their pleas fall upon skeptical ears - until the piranha reach the swimmers.

Piranha is a spoof of "Nature Run Amok" films, with Jaws being the specific target. The movie is incredibly goofy at times, having characters act in ways that seem rather illogical and utilizing some cheesy special effects for the titular creatures. However, none of these elements actually hurt the film, but help make the film incredibly enjoyable to watch.

Piranha is a film that knows exactly what it is, a cheesy spoof of a popular film that doesn't take itself seriously in the slightest. If you can accept that, you will find a lot to like about the film. Dillman and Menzies actually give decent performances, presenting their somewhat eccentric characters in a believable and likable manner. While a good amount of the effects are rather cheesy, there are a few that I found pretty well executed, such as the stop-motion creatures lurking within abandoned military facility. The music is also not half bad and there are a few moments in the film that are actually rather scary and well-done (like the piranha attack at the summer camp)

Piranha is one of those films that can be pretty entertaining if you accept the inherent goofiness of the product. It's not a masterpiece of horror cinema, but its still an enjoyable film that I'd recommend to those who like goofy monster films and Joe Dante movies.

31 Days of Horror: The Howling: Reborn (2011)

Directed by Joe Nimziki, The Howling: Reborn is the 9th entry in The Howling franchise. The film follows Will Kidman, a high school senior whose mother was attacked and killed when he was just a baby. As his graduation grows closer, Will discovers that he too is a werewolf and realizes a pack of werewolves are coming after him.

A few years ago, I watched The Howling for the first time. I've always been a werewolf fan and I felt I had to watch the classics, such as The Wolf-Man and An American Werewolf in London. I immediately fell in love with the film and its one of my favorite monster movies of all time. With that piece of context, you can understand what I mean when I say that The Howling: Reborn is one of the most depressing and disappointing films that I've seen in a very long time.

It's rather obvious that The Howling: Reborn is trying desperately to draw in the Twilight crowd. Both films share a rather gloomy soundtrack, washed-out cinematography, and pretentious philosophizing that makes you want to just punch whoever is saying this stupid shit. The story, like the sanitized supernatural romances that its trying to emulate, is rather dull and predictable, hitting all the expected beats.

The special effects are just as bad. Some, like the oddly psychopathic bully falling over the stair railing, are so bad they managed to coax a laugh out of me. The rest just made sigh and wish I was watching the original. Its kind of sad seeing how far this franchise has fallen.

Now, I will give the film this, the majority of the actors seem to actually be trying to take the mediocre script and give a decent performance. The two leads, Landon Liboiron and Lindsay Shaw, being the most successful. The two actors do seem to have some inkling of chemistry, which is more than I can say for their Twilight counterparts.

However, their performances are not enough to save this incredibly mediocre film. Its boring, uninspired, and rather depressing if you're a fan of the original. If you're looking for a good werewolf film, watch the 1st Howling and An American Werewolf in London instead.

Verdict: See it if you like the Twilight formula and like the two leads starts a lot. Skip it if you like your werewolf films to be a little more brutal and not so sanitized. 

31 Days of Horror: Psychosis (2010)

A remake of the "Dreamhouse" episode from the anthology film Screamtime, Psychosis follows prominent horror writer Susan (Charisma Carpenter). After moving to a sprawling country estate in order to recover from a massive mental breakdown, Susan begins to experience gruesome visions of a long-forgotten murder. Are these visions due to Susan's questionable mental health, or is there something else going on?

Psychosis is a competently made film that, unfortunately, is incredibly slow and meandering. The idea behind the film isn't a bad one, and in the right hands, could have made for a really interesting delves into the main character's psyche, but Psychosis just moves through the story at an incredibly slow and boring pace that made it a chore to watch. What makes this worse is that the ending is rather disappointing, giving you no actual reward for sitting through this dull film.

With that being said, there are a few gems buried within the film. The music and sound design is decent and the cinematography is pretty competent (with only a few weak spots scattered throughout the film). The actors, especially Carpenter, try their hardest to give good performances. Sadly, there is only so much you can do with a boring script.

While there are a few decent elements sprinkled throughout the film, Psychosis fails due to its slow as hell pacing and rather boring narrative. If you are looking for a good psychological horror film, I'd recommend checking out Jacob's Ladder and skipping Psychosis.

Verdict: See it if you are a huge fan of Charisma Carpenter and you have an hour and twenty-nine minutes to kill. Skip it if you hate films that are incredibly slow with a lackluster pay-off.

31 Days of Horror: Frankenstein Created Woman (1967)

The fourth film in the Hammer Horror's Frankenstein series, Frankenstein Created Woman continues the tale of Baron Victor Frankenstein (Peter Cushing) and his strange experiments.

This time around, Baron Frankenstein is trying to discover a way to trap the soul of a recently deceased person, believing that he can transfer it into another recently deceased body and restore it to life. While the good doctor is working on his experiments, his assistant Hans (Robert Morris) is wrongly accused of murdering his lover Christina's (Susan Denberg) father.

After his execution, Christina commits suicide. Seeing a perfect opportunity before him, Frankenstein resurrects Christina with Hans' soul and everything goes as planned, until the group of young dandies who were actually responsible for the crime start turning up dead, and all signs point to Frankenstein's latest creation.

Frankenstein Created Woman is easily one of the weaker entries in Hammer's Frankenstein series. While it has some interesting ideas, the story itself is rather predictable and the film's pacing is slower than it really needs to be. While I was watching the movie, I found myself thinking this story could have been a rather interesting Tales From The Crypt episode and that show's runtime would have fit it much better.

However, the film is not a horrible movie. Hell, it's not even a bad film. The acting is pretty good, with Cushing being amazing as always and Denberg giving a pretty good performance as well, and the music and cinematography is well-done as well. Frankenstein Created Woman just isn't as good as the previous entries in the series. Its a decent, enjoyable movie, but I'd suggest watching Curse of Frankenstein instead.

Verdict: Watch it if you like the other entries in Hammer's Frankenstein series, enjoy Peter Cushing, and are interested in the ideas presented in the film. Skip it if you dislike stories that are rather predictable and have some pacing issues.